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Orcas Center presents on the Center Stage Screen:

The Met: Fire Shut Up in My Bones

Sunday, November 21st – 1pm
Tiered Ticket Pricing: $47, $25, $5, or Pay What You Can (Minimum $5)
Orcas Center charges a $2 per ticket fee

Due to COVID Precautions, the following guidelines will be followed:

Advance ticket sales only: There will be no box office attendant prior to the performance
Proof of vaccination will be required at the door
Masks will be required inside of Orcas Center
These shows will be socially distanced with assigned seating

**Orcas Center’s Tiered Ticket Pricing is based on the needs of your family. The variant in pricing is not based on seat location or dates of performances, rather, what you’re able to afford to help us to maintain our facilities and create quality programming.

Tier A is the true cost per patron of putting on show at the Orcas Center, Tier B is our standard rate, also subsidized by our generous donors, Tier C is a rate subsidized by our generous donors. **


Fire Shut Up in My Bones

Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.

Fire Shut Up in My Bones is The Met’s first performance of a black composer, Terrance Blanchard.  Conducted by Yannick Nézet-Séguin, Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.”

Featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging; Brown, who is also the production’s choreographer, becomes the first Black director to create a mainstage Met production. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside soprano Angel Blue as Destiny/Loneliness/Greta, soprano Latonia Moore as Billie, and Walter Russell III as Char’es-Baby.

ACT I

Charles Blow, age 20, drives down a Louisiana backroad with a gun in the passenger seat. Destiny sings to him, calling him back to his childhood home. He begins reliving memories from his childhood.

Charles’ seven-year-old self, Char’es-Baby, talks to his mother, Billie. He is desperate for affection, but Billie is too frazzled to give him the validation that he craves. They are dirt poor. Billie works in a chicken factory, but she dreams of Char’es-Baby getting a good education and escaping their town. Her husband, Spinner, is a womanizing spendthrift. When she hears that he’s flirting with other women, she confronts him at gunpoint. She doesn’t shoot, but Billie tosses Spinner out. Billie and her five sons move in with Uncle Paul. Char’es-Baby dreams of a different life, collecting “treasure” from the junkyard while Loneliness sings to him. One day, his cousin Chester comes to visit. When Chester sexually abuses him, he is too horrified and ashamed to say anything.

Adult Charles begins to weep as he recoils from these memories, while Destiny reminds him that there is no escape.

ACT II

As Charles grows into a teenager, he is full of confusion and rage. He attends a church service where the pastor is baptizing people, promising that God can wipe all sins clean. Charles decides to get baptized, but phantom terrors still haunt him. Charles tries to talk to his brothers, but they refuse to engage in any “soft talk.” Loneliness reappears, promising to be his lifelong companion. Evelyn, a beautiful young girl, interrupts Charles’s reverie. Their chemistry is clear. Charles feels a new sense of independence and is finally ready to strike out on his own; Grambling State University has offered him a full scholarship. Billie is left alone to reflect on all that she has sacrificed for her family and wonders what might lie ahead.

ACT III

Charles is one of several fraternity pledges being hazed at his college. Charles stoically takes each indignity in stride: Pain is nothing new for him. Later, he goes to a nightclub and meets an attractive young woman, Greta. They begin a passionate love affair. Charles eventually shares his awful secret with Greta, only to find out that she’s still seeing someone else. Charles is left alone again. He calls home, desperate to hear his mother’s voice. To his shock, Billie tells him that Chester has come back to visit. Charles instantly decides to return home to confront Chester, gun in hand.

Charles sits in his car on the dark road, contemplating the choice lying before him. Destiny starts to sing to him once again, seductively promising to stand by him through to the bloody end. As Charles reaches his childhood home, Char’es-Baby appears, urging him to leave his bitterness behind. Charles must decide whether to exact his revenge or begin his life anew.

Synopsis reprinted courtesy of Opera Theatre of Saint Louis.