Karrin Allyson Trio
September 30 @ 7:00 pm| $15 – $47
Orcas Center and Orcas Island Jazz Festival Present on Center Stage:
Karrin Allyson Trio
Friday, September 30th at 7pm – There will be one intermission
Tiered Ticket Pricing: $47, $25, $15
Orcas Center charges a $2 per ticket fee**Orcas Center’s Tiered Ticket Pricing is based on the needs of your family. The variant in pricing is not based on seat location or dates of performances, rather, what you’re able to afford to help us to maintain our facilities and create quality programming.
Tier A is the true cost per patron of putting on show at the Orcas Center, Tier B is our standard rate, also subsidized by our generous donors, Tier C is a rate subsidized by our generous donors. **
COVID Policy Update:
Masks are require in the theatre and lobby, except where refreshments are being served.
Thank you for your understanding and cooperation as we continue to work to keep our artists, staff, volunteers, and patrons healthy.
Karrin Allyson Trio
There are so many ways to savor Karrin Allyson’s artistry. Start with her voice, its rare clarity and resonant timbre….Everything she sings seems to rise from a smile.
-‐ Bob Doerschuk, DownBeat Magazine
Karrin Allyson, Five-time Grammy nominated jazz vocalist, pianist, and songwriter is widely recognized as one of the most gifted voices of her generation. With fifteen albums under her belt, she has built a mastery of The Great American Songbook, blues, pop, be-‐bop, Brazilian, and French chansons, to name a few.
Allyson rose to prominence in the ‘90s, releasing a string of albums including her debut I Didn’t Know About You in 1992. The album earned such accolades as being name-‐checked in Playboy’s annual readers’ poll alongside such greats as Ella Fitzgerald and Shirley Horn. Subsequently, Allyson assembled a fine backing band consisting of fellow Kansas City musicians including pianist Paul Smith, guitarists Danny Embrey and Rod Fleeman, bassists Bob Bowman and Gerald Spaits, and drummer Todd Strait, along with Minneapolis-‐based pianist Laura Caviani, all of whom have played on many of her recordings.
Allyson continued issuing albums at a steady pace, picking up Best Jazz Vocal Album Grammy nominations for 2001’s Ballads: Remembering John Coltrane, 2006’s Footprints, 2007’s Imagina: Songs of Brasil, 2011’s ‘Round Midnight, and 2015’s Many a New Day: Karrin Allyson Sings Rodgers and Hammerstein.
Born in Great Bend, Kansas, Allyson now lives in New York City, after growing up in Omaha, Nebraska, attending high school in the Bay Area, earning her bachelor’s degree in Piano Performance from the University of Nebraska at Omaha, and spending time in both Kansas City and Minneapolis before making the move in 2000. Since moving to New York, Allyson’s band has consisted of such players as Bruce Barth, Ed Howard, James Williams, Adam Cruz, Steve Wilson, Miro Sprague, Jerome Jennings, and Jeff Johnson. Also an accomplished vocal instructor, Allyson travels the world teaching, touring, and playing the major jazz festivals, concert venues, and clubs of the U.S. and overseas.
Allyson’s impressive discography culminated last year with the release of Some of that Sunshine, her first collection of all-‐original tracks and a further testament to her already impressive creative output. As Christopher Loudon writes in Jazz Times, “With Some of That Sunshine, Allyson unleashes her equally impressive dexterity as a songwriter.” Allyson is accompanied on the record by Miro Sprague on keyboard, Chris Caswell, who also serves as
producer and co-‐writer on many of the tracks), bassist Jeff Johnson, guitarist Rod Fleeman, and drummer Jerome Jennings, with special guests Regina Carter and Houston Person. The record includes tracks that touch on social change and romantic disillusion while maintaining a joyous, bittersweet optimism. Throughout her other recordings, she has always been intrinsically involved in the arrangements, creating them all for Many a New Day, among others. With Some of that Sunshine Allyson comes full circle.
With fifteen albums released so far, and always more exciting projects in the works, Allyson’s range and creativity seems to have no bounds. What unites this wide world of music is Allyson’s warmth and depth. She’s not just singing a lyric, she’s telling you her story. And then that becomes your story. You hear the music from the inside out.
You can follow Karrin Allyson online: