Orcas Center presents on the Center Stage Screen:

Met Opera: Dead Man Walking

Content Advisory: Dead Man Walking contains a depiction of a rape and murder, as well as other adult themes and strong language.
Tuesday, January 23rd at 12pm
Runtime: 3 hours with intermission
Tiered Ticket Pricing: $63, $33, $18, $10
Orcas Center charges a $2 per ticket fee

**Orcas Center’s Tiered Ticket Pricing is based on the needs of your family. The variant in pricing is not based on seat location or dates of performances, rather, what you’re able to afford to help us to maintain our facilities and create quality programming.

Tier A is the true cost per patron of putting on show at the Orcas Center, Tier B is our standard rate, also subsidized by our generous donors,
Tier C is a rate subsidized by our generous donors. **

Dead Man Walking

Content Advisory: Dead Man Walking contains a depiction of a rape and murder, as well as other adult themes and strong language.
CLICK HERE for more information about Dead Man Walking from The Met

American composer Jake Heggie’s masterpiece, the most widely performed new opera of the last 20 years, has its highly anticipated Met premiere, in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium for this landmark premiere, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

The most widely performed new opera of the last two decades, Dead Man Walking is adapted from the groundbreaking memoir by Sister Helen Prejean. It concerns her ministry to condemned murderers on death row, and in bringing this powerful story to the operatic stage, composer Jake Heggie created a score that recalls Sister Helen’s prose and her advocacy style: direct, unaffected, and unflinchingly honest—but not without a deep understanding of the heart and humanity inside each one of us.